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Finding Freedom in Paint, Paper, and a Little Chaos

A mixed media collage featuring a variety of textures and elements, including torn magazine pages, abstract acrylic paint, and photographic images. Prominent in the center is a vibrant painting with blended colors such as turquoise, purple, yellow, orange, and white, resembling melted or swirled paint. Surrounding it are fragments of text, including a large black serif word “Epic” on a white background, architectural photography showing balconies, and layers of paint in greens, blues, purples, and metallic hues. The composition is chaotic and colorful, emphasizing creativity and visual contrast.
This is a small pile of one of my fluid acrylic paintings and some of my collages underneath. I had no idea what to use for the feature image, but this beautiful, “epic” mess seems to capture the point of my post very well.

Some of my favourite moments when creating happen when I stop worrying about keeping everything neat. There’s something freeing about letting the process take over—whether it’s paint on my hands, scraps of paper sticking to my fingers, or glue on the table. It’s a little chaotic, but in the best way.

Paint on My Hands

When I’m painting, I don’t wear gloves. The paint I use is non-toxic and easy to wash off, so there’s no real reason to avoid it. But more than that, I like the way it feels—like I’m part of the artwork itself. The smears and streaks are proof that I was fully in it, moving colour around, blending, pushing, pulling, and making choices in real time.

Messy, hands-on creating has even been shown to boost emotional wellbeing. In fact, art therapy research links tactile creative activities to improved mood and reduced stress.

The Collage Chaos

Two mixed media collage artworks are placed side by side on a wooden surface: Left collage: This piece features a blend of torn magazine clippings and painted textures. A large, bold word “Epic” is prominently visible in black serif font. Other elements include multiple images of the Eiffel Tower, European architecture, travel-related words like “ESCAPES,” and areas with thick, multicolored paint. The overall theme suggests travel and adventure with a vibrant, chaotic composition. Right collage: This artwork combines torn paper, painted elements, and hand-drawn patterns. A triangular, abstract painted shape in the center uses bold colors like pink, blue, and purple. The background consists of layered torn book or newspaper pages, green and turquoise paint, and a black organic pattern resembling vines or tendrils. The edges are irregular, adding to the raw, textured look of the piece.
A couple of my collages. The one on the left was made out of an old Flight Centre brochure from 2019 and one of the papers I use to mop up excess paint from my fluid acrylic paintings. They make great collage papers! The one on the right is an abstract piece I made to use up pieces of paintings I wasn’t happy with. I still need to trim off the raw edges, but I felt like it suited the post to leave it this way.

The same joy shows up when I’m working on a collage. I might start neatly—placing cut-out shapes or patterned papers with care—but at some point, it turns into play. I start moving pieces around just to see what might happen, layering one thing over another, and adding glue without overthinking. My hands get tacky, bits of paper cling to my fingertips, and the table slowly transforms into a creative explosion.

Collage has deep artistic roots, from its early use in Chinese calligraphy to the radical reinvention of the medium by Picasso and Braque. If you’re curious, this history of collage offers a fascinating look at how cutting and pasting became a respected art form.

Why the Mess Matters

Messy hands are a reminder that art isn’t just about the finished piece—it’s about the process. It’s about experimenting, making changes on the fly, and being open to surprises. As The Mess and the Magic describes so well, chaos in art-making can lead to unexpected discoveries and a deeper connection with the work.

Tips for Embracing the Mess

  • Set up a “creative zone” – Have a space where you don’t mind getting a little messy. A table cover or drop cloth can take away the worry of spills.

  • Keep extra materials nearby – More paper scraps, extra paint, and a spare brush can keep the momentum going.

  • Don’t pause to clean too soon – Stay in the flow. You can tidy up later.

  • See the mess as a record of the process – Smudges, splatters, and scraps are visual proof of creativity at work.

If you’ve never tried a messy, tactile project before, something simple like magazine collage art can be a great start. It’s accessible, inexpensive, and perfect for embracing imperfection while still making something beautiful.

It's All Connected

The mess becomes part of the memory of making. Every smudge and scrap feels like a little souvenir from the process, a reminder of the time you spent creating for the joy of it—not just for the result. And to me, that’s one of the most satisfying parts of being an artist.

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Digital artist and graphic designer, Teresa Cowley

My name is Teresa Cowley, and I'm a digital artist and graphic designer from Vancouver Island, Canada. I focus on abstract and fantasy art as well as digital collage, and like to utilize AI art tools as part of my design process to create new, innovative pieces of art. I strive to create new, unique designs that tell imaginative stories, and I am eager to push the boundaries of what can be expressed with art and technology.

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