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Rebelle: Advancements in Painting Software Bring Me Back to Tradition

The image shows a desktop computer setup, including a monitor, keyboard, mouse, and a tower case. The monitor displays a digital art software with a colorful abstract artwork in progress, featuring swirling lines, brushstrokes in blue, green, yellow, and black, and a square frame in the center containing ornate black patterns. The user interface of the software includes various toolbars on the sides, with color options and drawing tools visible. The computer tower is silver and black, and the background features a soft, blurred, multicolored pattern.
This is a screenshot of Rebelle in action on a screen mock-up. Below are some images of the simple abstract I made for this post.

When it comes to digital art, I’ve always taken a self-taught approach. My background in layout and design has given me a solid foundation, and over the years, I’ve enjoyed experimenting and refining my process as a digital artist. For a long time, that felt like enough—I was content with exploring the limits of what I already knew. But recently, that changed.

Discovering Rebelle: Where Digital Meets Traditional

The image is an abstract digital artwork composed of vibrant brushstrokes in shades of blue, green, yellow, and purple. White swirling lines are scattered throughout, adding a dynamic, flowing effect. At the center of the composition is a black, ornate butterfly-like design, framed by a rough square grid of white brushstrokes. The background is a blend of colors, with textures resembling paint strokes and gradients. The overall style is expressive and layered, with both geometric and organic elements intertwined.
Here is the simple abstract painting I made for this post. I used a stencil to create the butterfly with heavy impasto oil paint. The rest of the painting is a mix of watercolour, oil paint and express oils using a variety of brushes.

Enter Rebelle by Escape Motions, a painting software that’s unlike anything I’ve used before. This app doesn’t just replicate the look of traditional mediums like oil paint or watercolour; it actually behaves like them. The way the colours interact, the brushstrokes blend, and the “paint” reacts to the “canvas” or “paper” feels so authentic, it’s almost uncanny. It’s like holding a paintbrush but on a digital canvas. You’re not just simulating the result—you’re working with the same dynamics and challenges you’d find with traditional art supplies.

While I’m planning a full review of Rebelle at some point, this post is more about the unexpected side effect of using this tool: it’s sparked a desire in me to dig deeper into traditional art techniques.

Going Back to Basics in a Digital World

This image is a close-up section of an abstract digital artwork. It features bold brushstrokes in blue, green, yellow, and black, with soft blending in the background. White, swirling lines and black, curved strokes overlay the colorful textures, creating a sense of motion and fluidity. The brushstrokes have a textured appearance, resembling paint on canvas, while the overall composition maintains a dynamic and layered look. The colors are vivid, and the mix of organic shapes and flowing lines adds visual interest.
This is a closeup of part of the painting above showing the brushstrokes and beautiful fluid effects of the watercolour brush and water tool. I started the painting on watercolour paper, than switched to canvas for the other paint types.

Oddly enough, despite working in this cutting-edge digital realm, I’ve felt the pull to go back to the basics. I realized that to get the most out of the tools in Rebelle, I needed to understand how real-world paints and techniques work. I found myself taking some online art masterclasses, workshops, and tutorials from professional artists. A few of them are from the Milan Art Institute, and I’ve been loving their masterclasses so far. I’m especially excited to dive into their mixed media course. YouTube’s also a goldmine for learning—you can go down a huge artistic rabbit hole on there!

It’s funny, really. We’re in this age where technology is always advancing, pushing us forward into new possibilities. Yet here I am, learning about something as old as oil paint. And you know what? It’s worth it.

A Continuous Learning Process

Art is a continuous process—there’s always something new to discover, whether you’re revisiting the past or embracing the future. This journey back to traditional techniques is just another way to keep growing as an artist, and it’s already enriching my digital work in ways I didn’t expect.

Why Digital Artists Should Explore Traditional Techniques

Whether you use Rebelle or not, I encourage all my fellow digital artists to consider learning from traditional art. There’s something invaluable in the techniques that have stood the test of time. They can not only sharpen your skills but also bring a whole new depth to your digital work. You never stop learning in art—and sometimes, the best way to move forward is by looking back.

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Digital artist and graphic designer, Teresa Cowley

My name is Teresa Cowley, and I'm a digital artist and graphic designer from Vancouver Island, Canada. I focus on abstract and fantasy art as well as digital collage, and like to utilize AI art tools as part of my design process to create new, innovative pieces of art. I strive to create new, unique designs that tell imaginative stories, and I am eager to push the boundaries of what can be expressed with art and technology.

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